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      ART AS ANARCHISM: POLITICAL AND SOCIAL DISSENT THROUGH PLAYWRITING IN URSULA K. LE GUIN’S THE DISPOSSESSED

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      DOBSON-PROJECT-2018.pdf (202.7Kb)
      Date
      2018-09-18
      Author
      Dobson, Glynndon
      ORCID
      0000-0002-4288-7004
      Type
      Thesis
      Degree Level
      Masters
      Metadata
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      Abstract
      In my project I focus on the use of art by anarchists to challenge authority structures in Ursula K. Le Guin’s novel The Dispossessed. Basing her novel in the science fiction genre enabled Le Guin the freedom to create her own worlds while exploring whether an anarchist utopia can successfully operate without the interference of government and authoritative control. In order to determine the viability of an anarchist utopia, Le Guin created two planets with competing ideologies: the capitalist planet Urras and the revolutionary anarchist planet of Anarres. In addition to these planets, Le Guin explores anarchism through two main characters who identify as anarchists, Shevek and Tirin. They are both influenced by the nature of their chosen craft, with Shevek thinking within the rigid formalities of physics and Tirin exploring the world through the limitless potential of his art as a playwright. I argue that as a playwright Tirin is the anarchist of the novel and that the creativity of his art makes him the only character able to live outside the confines of government and social coercion. My project’s insights are significant because they establish that art and playwriting are the unregulated dissenting vehicles of anarchism in The Dispossessed.
      Degree
      Master of Arts (M.A.)
      Department
      English
      Program
      English
      Supervisor
      Hynes, Peter
      Committee
      Leow, Joanne
      Copyright Date
      September 2018
      URI
      http://hdl.handle.net/10388/10695
      Subject
      Anarchism, Ursula K Le Guin, Science Fiction, Art, Drama
      Collections
      • Graduate Theses and Dissertations
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