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dc.contributor.advisorNorlen, Alison
dc.creatorGundesen, Riisa Bryn 1988-
dc.date.accessioned2017-12-04T15:32:41Z
dc.date.available2017-12-04T15:32:41Z
dc.date.created2018-06
dc.date.issued2017-12-04
dc.date.submittedJune 2018
dc.identifier.urihttp://hdl.handle.net/10388/8291
dc.description.abstractAn examination of the abject danger associated with the female nude in the history of European painting. Once identified, is it possible to use this phenomena to counteract objectification in contemporary visual culture? An exploration of this theme is undertaken through a series of Self-Portraits and Natures Mortes.
dc.format.mimetypeapplication/pdf
dc.subjectAbjection
dc.subjectSelf-Portraiture
dc.titleThe Monstrous I: Abjection as Disobedience in Contemporary Self-Portraiture
dc.typeThesis
dc.date.updated2017-12-04T15:32:42Z
thesis.degree.departmentArt and Art History
thesis.degree.disciplineStudio Art
thesis.degree.grantorUniversity of Saskatchewan
thesis.degree.levelMasters
thesis.degree.nameMaster of Fine Arts (M.F.A.)
dc.type.materialtext
dc.contributor.committeeMemberNorlen, Alison
dc.contributor.committeeMemberBorsa, Joan
dc.contributor.committeeMemberGlenn, Allyson
dc.contributor.committeeMemberLovrod, Marie


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