dc.contributor.advisor | Allyson, Glenn | en_US |
dc.creator | Murray, Mary | en_US |
dc.date.accessioned | 2013-01-03T22:33:59Z | |
dc.date.available | 2013-01-03T22:33:59Z | |
dc.date.created | 2012-10 | en_US |
dc.date.issued | 2012-10-04 | en_US |
dc.date.submitted | October 2012 | en_US |
dc.identifier.uri | http://hdl.handle.net/10388/ETD-2012-10-653 | en_US |
dc.description.abstract | The exhibition Felicitous Space is an inquiry into the significance of the emotional connection I experience when considering the ideals of home and domestic architecture. This exhibition reflects my current preoccupation with the adage “what makes a house a home” and responds to the challenges of claiming and shaping domestic space. I am particularly interested in the impact on homeowners of the consumer marketing of luxury goods and furnishings that resemble antiques or relics from the ornate baroque period.
This paper is a supporting document for an exhibition project entitled Felicitous Space which consists of 12 large scale oil on canvas paintings on display in a gallery setting. | en_US |
dc.language.iso | eng | en_US |
dc.subject | Domestic Architecture, Oil on Canvas, Theatrical, Baroque, Nostalgia, Home, Interior, Space, Bravado, consumerism, | en_US |
dc.title | Felicitous Space | en_US |
thesis.degree.department | Art and Art History | en_US |
thesis.degree.discipline | Studio Art | en_US |
thesis.degree.grantor | University of Saskatchewan | en_US |
thesis.degree.level | Masters | en_US |
thesis.degree.name | Master of Fine Arts (M.F.A.) | en_US |
dc.type.material | text | en_US |
dc.type.genre | Thesis | en_US |
dc.contributor.committeeMember | Griffin, Karla | en_US |
dc.contributor.committeeMember | Borsa, Joan | en_US |