| dc.contributor.advisor | McCourt, Edward A. | en_US |
| dc.creator | Tsukimura, Reiko | en_US |
| dc.date.accessioned | 2010-08-23T10:27:07Z | en_US |
| dc.date.accessioned | 2013-01-04T04:54:05Z | |
| dc.date.available | 2011-08-23T08:00:00Z | en_US |
| dc.date.available | 2013-01-04T04:54:05Z | |
| dc.date.created | 1962 | en_US |
| dc.date.issued | 1962 | en_US |
| dc.date.submitted | 1962 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10388/etd-08232010-102707 | en_US |
| dc.description.abstract | This thesis concentrates on analytical comparisons of the form employed by Yeats in At the Hawk’s Well and The Dreaming of the Bones with the Noh conventions, since it is the form rather than the themes of the Noh that Yeats learned from this traditional drama of Japan. I have very briefly written in Chapters I and II about these characteristic features of the Noh which constitute the central points of my comparisons in Chapter III. | en_US |
| dc.language.iso | en_US | en_US |
| dc.title | The influence on Yeats of the Japanese Noh plays | en_US |
| thesis.degree.department | English | en_US |
| thesis.degree.discipline | English | en_US |
| thesis.degree.grantor | University of Saskatchewan | en_US |
| thesis.degree.level | Masters | en_US |
| thesis.degree.name | Master of Arts (M.A.) | en_US |
| dc.type.material | text | en_US |
| dc.type.genre | Thesis | en_US |
| dc.contributor.committeeMember | Chambers, R. D. | en_US |
| dc.contributor.committeeMember | King, Carlyle | en_US |
| dc.contributor.committeeMember | Tracy, Clarence | en_US |
