Wood
| dc.contributor.advisor | Ringness, Charles | en_US |
| dc.contributor.committeeMember | Nowlin, Tim | en_US |
| dc.contributor.committeeMember | Purdue, Peter | en_US |
| dc.creator | Bishop, Kevin | en_US |
| dc.date.accessioned | 2013-01-03T22:27:08Z | |
| dc.date.available | 2013-01-03T22:27:08Z | |
| dc.date.created | 2011-09 | en_US |
| dc.date.issued | 2011-10-18 | en_US |
| dc.date.submitted | September 2011 | en_US |
| dc.description.abstract | An investigation into the epistemology of manhood - defining an idealized man in the age of late capitalism. | en_US |
| dc.identifier.uri | http://hdl.handle.net/10388/ETD-2011-09-111 | en_US |
| dc.language.iso | eng | en_US |
| dc.subject | masculinity | en_US |
| dc.subject | printmaking | en_US |
| dc.subject | hegemony | en_US |
| dc.title | Wood | en_US |
| dc.type.genre | Thesis | en_US |
| dc.type.material | text | en_US |
| thesis.degree.department | Art and Art History | en_US |
| thesis.degree.discipline | Studio Art | en_US |
| thesis.degree.grantor | University of Saskatchewan | en_US |
| thesis.degree.level | Masters | en_US |
| thesis.degree.name | Master of Fine Arts (M.F.A.) | en_US |