RE:source RE:main RE:claim
| dc.contributor.advisor | Shantz, Susan | |
| dc.contributor.committeeMember | Birke, Lisa | |
| dc.contributor.committeeMember | Olphir, Ella | |
| dc.contributor.committeeMember | Nowlin, Tim | |
| dc.creator | Ferguson, Louisa | |
| dc.creator.orcid | 0000-0002-5398-829X | |
| dc.date.accessioned | 2022-09-21T22:46:26Z | |
| dc.date.available | 2022-09-21T22:46:26Z | |
| dc.date.copyright | 2022 | |
| dc.date.created | 2022-09 | |
| dc.date.issued | 2022-09-21 | |
| dc.date.submitted | September 2022 | |
| dc.date.updated | 2022-09-21T22:46:26Z | |
| dc.description.abstract | RE:source RE:main RE:claim is an experiential installation that encapsulates artistic entanglement with ideas of materiality, intra-action and agency. Using natural materials harvested from ecosystems found in the pot-hole region of the prairies, as well as video documentation, and sound, I explore relations where humans are part of the entangled natural world. What might occur if we permit ourselves to consider artmaking as a tool that is finely tuned to attend to both the human and more-than-human/material entities at play? The works are gestures that emerged and took shape from intimate acts of witnessing, when the ambiguity of truth, causality, and purpose was allowed to breathe. | |
| dc.format.mimetype | application/pdf | |
| dc.identifier.uri | https://hdl.handle.net/10388/14199 | |
| dc.language.iso | en | |
| dc.subject | materiality, intra-action and agency, more-than-human, | |
| dc.title | RE:source RE:main RE:claim | |
| dc.type | Thesis | |
| dc.type.material | text | |
| thesis.degree.department | Art and Art History | |
| thesis.degree.discipline | Studio Art | |
| thesis.degree.grantor | University of Saskatchewan | |
| thesis.degree.level | Masters | |
| thesis.degree.name | Master of Fine Arts (M.F.A.) |