the Wanderer
| dc.contributor.advisor | Fowler, Graham | en_US |
| dc.contributor.committeeMember | Norlen, Alison | en_US |
| dc.contributor.committeeMember | Duvall, Linda | en_US |
| dc.contributor.committeeMember | Vargo, Lisa | en_US |
| dc.creator | Varga, Susan | en_US |
| dc.date.accessioned | 2013-02-01T12:00:48Z | |
| dc.date.available | 2013-02-01T12:00:48Z | |
| dc.date.created | 2013-01 | en_US |
| dc.date.issued | 2013-01-31 | en_US |
| dc.date.submitted | January 2013 | en_US |
| dc.description.abstract | A reflective essay to accompany the thesis exhibition, the Wanderer, installed in the Gordon Snelgrove Gallery, 2013. An exploration of the questions and concepts informing the process of developing and refining the visual vocabulary of my practice. Images of women, topographical maps, floral imagery and astronomical maps provide the vocabulary of the language and syntax that I am developing to enunciate the interrelationships between the construction of self and lived experience, with concepts of identity, body and gesture, history and place. | en_US |
| dc.identifier.uri | http://hdl.handle.net/10388/ETD-2013-01-906 | en_US |
| dc.language.iso | eng | en_US |
| dc.subject | installation, drawing, painting, figurative abstraction, gesture, identity, body, history, place, women, topographical maps, construction of self, lived experiences, pop culture, female representation, geography, power, humanism, art history, archives, collecting. | en_US |
| dc.title | the Wanderer | en_US |
| dc.type.genre | Thesis | en_US |
| dc.type.material | text | en_US |
| thesis.degree.department | Art and Art History | en_US |
| thesis.degree.discipline | Studio Art | en_US |
| thesis.degree.grantor | University of Saskatchewan | en_US |
| thesis.degree.level | Masters | en_US |
| thesis.degree.name | Master of Fine Arts (M.F.A.) | en_US |