The Monstrous I: Abjection as Disobedience in Contemporary Self-Portraiture

dc.contributor.advisor	Norlen, Alison
dc.contributor.committeeMember	Norlen, Alison
dc.contributor.committeeMember	Borsa, Joan
dc.contributor.committeeMember	Glenn, Allyson
dc.contributor.committeeMember	Lovrod, Marie
dc.creator	Gundesen, Riisa Bryn 1988-
dc.date.accessioned	2017-12-04T15:32:41Z
dc.date.available	2017-12-04T15:32:41Z
dc.date.created	2018-06
dc.date.issued	2017-12-04
dc.date.submitted	June 2018
dc.date.updated	2017-12-04T15:32:42Z
dc.description.abstract	An examination of the abject danger associated with the female nude in the history of European painting. Once identified, is it possible to use this phenomena to counteract objectification in contemporary visual culture? An exploration of this theme is undertaken through a series of Self-Portraits and Natures Mortes.
dc.format.mimetype	application/pdf
dc.identifier.uri	http://hdl.handle.net/10388/8291
dc.subject	Abjection
dc.subject	Self-Portraiture
dc.title	The Monstrous I: Abjection as Disobedience in Contemporary Self-Portraiture
dc.type	Thesis
dc.type.material	text
thesis.degree.department	Art and Art History
thesis.degree.discipline	Studio Art
thesis.degree.grantor	University of Saskatchewan
thesis.degree.level	Masters
thesis.degree.name	Master of Fine Arts (M.F.A.)