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The dryland diaries

dc.contributor.advisorLynes, Jeanetteen_US
dc.contributor.committeeMemberWall, Kathleenen_US
dc.contributor.committeeMemberLovrod, Marieen_US
dc.contributor.committeeMemberMuri, Allisonen_US
dc.creatorHobsbawn-Smith, deeen_US
dc.date.accessioned2014-11-04T06:41:18Z
dc.date.available2014-11-04T06:41:18Z
dc.date.created2014-09en_US
dc.date.issued2014-10-09en_US
dc.date.submittedSeptember 2014en_US
dc.description.abstractThe Dryland Diaries is a multigenerational narrative in the epistolary style, a tale of four women, central character Luka; her mother Lenore; grandmother Charlotte; and great-grandmother Annie – cast in the Quebecoise tradition of the roman du terroir, invoking place and family, the primal terroir of a storyteller. The novel is driven by three acts of violence – the possible murder of Annie’s husband, Jordan, by her Hutterite father; the rape of Charlotte; and the probable murder of Lenore by a notorious serial killer. Set in rural Saskatchewan and Vancouver, Luka, a single mother, finds Annie’s and Charlotte’s journals in the basement of her farm home, where both her predecessors also lived. She reads their stories while attempting to come to terms with her search for her missing mother, and with her attraction to her former flame, Earl, now married. Luka learns that Jordan disappeared shortly after the Canadian government enacted conscription for farmers in the First World War, when Annie became a stud horsewoman, her daughter Charlotte born before the war ended. Letters and newspaper clippings trace the family’s life through the drought and Great Depression; then Charlotte’s diaries reveal her rape at Danceland during the Second World War. Her daughter, Lenore, grows up off-balance emotionally, and abandons her daughters. Luka returns to Vancouver and learns her mother’s fate. Told from Luka’s point of view, in first-person narrative with intercutting diary excerpts and third-person narratives, the novel examines how violence percolates through generations. It also examines how mothers influence their children, the role of art, how the natural world influences a life, and questions our definition of “home.” At its heart, the novel is a story about what makes a family a family, about choices we make toward happiness, and about how violence perpetuates itself through the generations. Inspired by Margaret Lawrence’s The Stone Angel, Carol Shields’ The Stone Diaries, and the place-particular writing of Annie Proulx and Guy Vanderhaeghe, The Dryland Diaries paints a family portrait of loss, hope and redemption, locating it on the boundaries of historical fiction, firmly within the realm of epistolary and intergenerational narrative.en_US
dc.identifier.urihttp://hdl.handle.net/10388/ETD-2014-09-1704en_US
dc.language.isoengen_US
dc.subjectepistolary novelen_US
dc.subjectintergenerational novelen_US
dc.subjectprairieen_US
dc.subjectroman du terroiren_US
dc.subjecthistorical fictionen_US
dc.subjectfamily violenceen_US
dc.subjectflooden_US
dc.subjectCanadian fictionen_US
dc.subjectmulti-generational novelen_US
dc.subjectmissing womenen_US
dc.subjectDancelanden_US
dc.subjectrapeen_US
dc.subjectHutteritesen_US
dc.subjectUkrainian internmenten_US
dc.subjectDowntown Eastsideen_US
dc.subjectThe Onlyen_US
dc.subjectconscientious objectoren_US
dc.subjectFirst World Waren_US
dc.subjectSecond World Waren_US
dc.subjectWWIen_US
dc.subjectWWIIen_US
dc.subjecthorsesen_US
dc.subjectfarm accidentsen_US
dc.subjectTemperance Streeten_US
dc.subjectSaskatoonen_US
dc.subjectVancouveren_US
dc.subjectrodeoen_US
dc.subjectmurderen_US
dc.subjectdee Hobsbawn-Smith.en_US
dc.titleThe dryland diariesen_US
dc.type.genreThesisen_US
dc.type.materialtexten_US
thesis.degree.departmentInterdisciplinary Centre for Culture and Creativityen_US
thesis.degree.disciplineWritingen_US
thesis.degree.grantorUniversity of Saskatchewanen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Arts (M.F.A.)en_US

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