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Paradoxes of human will in the time travel film

dc.contributor.advisorHynes, Peteren_US
dc.contributor.committeeMemberMatheson, Terryen_US
dc.creatorElder, Rickien_US
dc.date.accessioned2009-12-30T21:16:45Zen_US
dc.date.accessioned2013-01-04T05:12:49Z
dc.date.available2011-02-09T08:00:00Zen_US
dc.date.available2013-01-04T05:12:49Z
dc.date.created2009-12en_US
dc.date.issued2009-12-09en_US
dc.date.submittedDecember 2009en_US
dc.description.abstractThis study discusses how the literary device of time travel can limit or empower protagonists. The main focus is on H.G. Wells’ The Time Machine and the two films of the same name inspired by the novel. The popularity of time travel in film springs from the myriad storytelling possibilities the device provides, and the writer’s agenda determines what place, if any, logic and causality have in the story. Some narratives endorse the theory of eternalism, where time is fixed and the time traveller’s actions are fated to be consistent with the history the traveller knows. But many films rely on theories of multiple timelines and many worlds, giving the traveller a much greater range of agency. Paradoxes of causality can inhibit the traveller’s actions as well. This essay discusses the broad spectrum in time travel narrative, where at one end travellers are imprisoned in history, and at the other they enjoy a great deal of freedom.en_US
dc.identifier.urihttp://hdl.handle.net/10388/etd-12302009-211645en_US
dc.language.isoen_USen_US
dc.subjectH. G. Wellsen_US
dc.subjecteternalismen_US
dc.subjectfree willen_US
dc.subjectmultiple universesen_US
dc.subjecttimelinesen_US
dc.subjectThe Time Machineen_US
dc.subjecttime travelen_US
dc.subjectfilmen_US
dc.titleParadoxes of human will in the time travel filmen_US
dc.type.genreProjecten_US
dc.type.materialtexten_US
thesis.degree.departmentEnglishen_US
thesis.degree.disciplineEnglishen_US
thesis.degree.grantorUniversity of Saskatchewanen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Arts (M.A.)en_US

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