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"Stranger in a Strange Land:" Cultural Hybridity and Mimicry in George Copway's Engagement with Christianity, Freemasonry, and Literacy

dc.contributor.advisorCarlson, Keith
dc.contributor.committeeMemberKlaassen, Frank
dc.contributor.committeeMemberHoy, Benjamin
dc.contributor.committeeMemberNeufeld, Matthew
dc.contributor.committeeMemberBartley, William
dc.creatorBird, John R.E. 1989-
dc.date.accessioned2017-09-19T16:37:42Z
dc.date.available2017-09-19T16:37:42Z
dc.date.created2017-09
dc.date.issued2017-09-19
dc.date.submittedSeptember 2017
dc.date.updated2017-09-19T16:37:43Z
dc.description.abstractWhile historians have tended to dismiss George Copway’s writings as examples of acculturation, in the field of literary criticism his writings have received a much more focused approach using post-colonial and indigenous studies theories. In addition, recent developments in religious studies and the history of Indigenous involvement in fraternalism have contributed to a more sophisticated analysis of his engagement with Canadian Methodism and American Freemasonry. Though his adoption of Euromerican culture defined his religious and intellectual development, other important motivations and goals informed those choices. While Copway’s education in English literacy and Christianity ultimately drew him away from the Indigenous cultural and social context of his childhood, it would be a mistake to ignore the agency that he exercised in advancing Indigenous issues throughout this process. When the approach of Indigenous literary and religious studies scholars is used to inform a historical analysis, Copway’s life is revealed to be a culturally hybrid, yet coherent, attempt to make space for indigeneity in the public religious and intellectual discourse of nineteenth-century America.
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10388/8109
dc.subjectindigenous
dc.subjecthistory
dc.subjectCopway
dc.subjectculture
dc.subjectAnishinaabe
dc.subjectOjibwa
dc.subjectNew York
dc.subjectreligion
dc.subjectFreemasonry
dc.subjectMasonry
dc.title"Stranger in a Strange Land:" Cultural Hybridity and Mimicry in George Copway's Engagement with Christianity, Freemasonry, and Literacy
dc.typeThesis
dc.type.materialtext
thesis.degree.departmentHistory
thesis.degree.disciplineHistory
thesis.degree.grantorUniversity of Saskatchewan
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts (M.A.)

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